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Conference Programme

Programme

09:00 - 09:15 Welcome and intro

Dr Jane Draycott, University of Glasgow

09:15-10:15 Keynote

Prof Adrienne Mayor, Stanford University

10:15-11:15 Panel 1: Metamorphosis of Bodies

Dr Tanika Koosmen, University of Newcastle, Australia

[Dis]Playing Changing Bodies: Metamorphic Greco-Roman Myths as “Display” of Form

Dr Ryan Denson, University of Exeter:

Pickled Tritons: The Bodily Display of (Divine) Cryptids in the Roman Empire

COFFEE BREAK 11:15 – 11:30

11:30 - 12:30 Panel 2: First Impressions/Judgement of Bodies

Jasmine Sahu-Hough, PhD candidate - Yale University:

“The Sort of Man You All See Me To Be”: Visible Disability and Citizenship in Classical Athens

Dr Dan Mills, Georgia Institute of Technology:

Physiognomic Disability in Literary, Statuarial, and Numismatic Depictions of Claudius

12:30 - 13:30 Panel 3: Bodies of Servants

Dr Anastasia Meintani, Universität Wien:

Bodily Display in the Context of the Banquet

Shreya Sharma, Independent Scholar:

Visual Arts and British Imperialism in India

LUNCH BREAK 13:30-14:15

14:15 - 16:15 Panel 4: Bodies in Museum Collections

Prof. Jessica M. Dandona, Minneapolis College of Art and Design:

Babies in Bottles: Personhood, Pregnancy, and Anatomical Preparations, 1880-1900


Dra. Carolina Valenzuela Matus, Universidad Autónoma de Chile:

Animals for Education: Taxidermy Display in School Cabinets in Chile (Twentieth Century)

Aoife Sutton-Butler, PhD candidate - University of Bradford:

Pathological Bodies: Visitor Attitudes towards the Display of Historical Potted Specimens at Two British Medical Museums

Cornelia Thompson, PhD candidate - UCL Institute of Archaeology:

Medical Bodies on Display: The History and Context of Medical Museums

COFFEE BREAK 16:15-16:30

16:30 - 17:30 Panel 5: Lived Experience of Bodies

Prof. Natalia Fernández Díaz-Cabal, Autonomous University of Barcelona and University of Shanghai:

Displaying, Hiding: Narratives and Images of Sarcoma

Sarah Scaife, PhD candidate - University of Exeter:

Vexed Paradox in Historical Anatomical Display – One Artist-Researcher’s Perspective through Lived Experience

ROUNDTABLE DISCUSSION 17:30-18:00

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Abstract: Pickled Tritons: The Bodily Display of (Divine) Cryptids in the Roman Empire

 Dr Ryan Denson - University of Exeter Pickled Tritons: The Bodily Display of (Divine) Cryptids in the Roman Empire   Tritons, the mermen of the antiquity, could be imagined as inhabiting the natural world and as creatures one may even encounter, similar to modern notions of cryptid sightings. Pliny the Elder, for instance, reports that a Triton was seen playing a shell-trumpet in a cave during the reign of Tiberius ( Natural History, 9.4). As with ordinary marine life, their bodies were occasionally found and preserved as physical proof of their supposed existence. Thus, Aelian, in his History of Animals, discusses a Triton corpse on display at Tanagra (13.21), describing how a local man once suffered divine vengeance for profaning its body by cutting off some of the scales. Pausanias, viewing the same corpse a century earlier, presents two starkly different versions of how it came to reside in Tanagra ( Description of Greece , 9.20). He further tells of another Triton t...

Abstract: [Dis]Playing Changing Bodies: Metamorphic Greco-Roman Myths as ‘Display’ of Form

  [Dis]Playing Changing Bodies: Metamorphic Greco-Roman Myths as ‘Display’ of Form Dr Tanika Koosmen University of Newcastle, Australia. tanika.koosmen@newcastle.edu.au The historical narrative of displayed bodies in a variety of contexts – freak shows, museum display of human remains, even as far as drag shows – finds its philosophical origins in the traditions of Greco-Roman mythological metamorphosis. To display a body is to be aware of its physicality, its metaphorical makeup, and its human/nonhuman subjectivity. In the Greek and Latin myths of transformation, exemplified by 1 st century CE Latin poet Ovid’s Metamorphoses , the display of the human and nonhuman form pre-empts the approach validated in later display traditions. When displaying a body that traverses the line between human and nonhuman, object and subject, these categorical violations must be considered: display of the metamorphosised form in literature is the early origins of these discussions, such as the ...