Prof. Adrienne Mayor. Stanford University.
Motives for and
responses to displays of extraordinary bodies in antiquity trace a continuum. Bodily otherness could elicit negative feelings
of disgust and superiority, at one end of the spectrum, and at the other end a
sense of wonder and compassion. Motivations could include sensational
entertainment, curiosity, domination, and scientific interest. To illustrate the
complex diversity of intentions and reactions, my talk looks at how artistic images,
literary descriptions, and public exhibits of mythic creatures (Centaurs,
Griffins, and the Minotaur); wild animals captured for the Roman arena; anomalous
and enslaved humans; and Amazons and female warriors in captivity aroused a
range of emotions in viewers. Ancient Greek and Roman artists evoked empathy
for hybrid monsters by focusing on their human features and/or their familiar, endearing
animal behaviors. Unlike the Greeks, the Romans preferred iconography of dead
and defeated Amazons and took pleasure seeing real women warriors from
conquered lands paraded as demoralized “Amazons” in public spectacles and
triumphs. Some modern parallels of these ancient examples demonstrate timeless complexities
that surround displays of extraordinary bodies.
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