Skip to main content

Abstract: Medical bodies on display: the history and context of medical museums

Cornelia (Nina) Thompson - PhD Student, Heritage Studies

UCL Institute of Archaeology

Medical bodies on display: the history and context of medical museums This paper addresses how the historic and current context of bodies on display shapes audience engagement. Most existing literature around bodies in museums centres anthropological collections. This research focuses on medical museums, demonstrating how the history and context of these collections affects their reception. Medical museums started with anatomical collections to train doctors, limiting access to medical students and practitioners. However, since the mid-20th century these collections have increasingly opened to the public, attracting growing interest and investment. Even though these collections are no longer limited to medical education, what effect does the medical framing of these bodies continue to have? Bodies in a medical context are defined by disconnection while also intended to stand in for a generalised human body. By disconnection, I mean both the ways medical practice intentionally de-personalises and anonymises remains, as well as the processes through which bodies became available for anatomical study (bodies of criminals, the poor and otherwise isolated individuals). I argue that this medical framing of human remains engenders a distinct kind of audience engagement. Through combining historic analysis of medical museums, including contemporary reactions to the display of bodies, with current museum studies and visitor studies scholarship, I suggest a framework for visitor interaction with bodies in medical museums as they exist today. Research conducted in partnership with the Old Operating Theatre Museum and Herb Garrett (as part of my PhD) serves as a case study to demonstrate public understandings of, and reactions to, bodies on display in a medical museum, using archival research, interviews with staff, and qualitative visitor feedback data. Through focusing on medical museums, this research contributes to the study of bodies on display and the significance of context in shaping public understandings. 

Comments

Popular posts from this blog

Abstract: [Dis]Playing Changing Bodies: Metamorphic Greco-Roman Myths as ‘Display’ of Form

  [Dis]Playing Changing Bodies: Metamorphic Greco-Roman Myths as ‘Display’ of Form Dr Tanika Koosmen University of Newcastle, Australia. tanika.koosmen@newcastle.edu.au The historical narrative of displayed bodies in a variety of contexts – freak shows, museum display of human remains, even as far as drag shows – finds its philosophical origins in the traditions of Greco-Roman mythological metamorphosis. To display a body is to be aware of its physicality, its metaphorical makeup, and its human/nonhuman subjectivity. In the Greek and Latin myths of transformation, exemplified by 1 st century CE Latin poet Ovid’s Metamorphoses , the display of the human and nonhuman form pre-empts the approach validated in later display traditions. When displaying a body that traverses the line between human and nonhuman, object and subject, these categorical violations must be considered: display of the metamorphosised form in literature is the early origins of these discussions, such as the ...

Call for Papers

An increasing amount of attention has been paid to impairment and disability in classical antiquity in recent years. However, one aspect of the subject that has not received significant attention, despite recent developments in the study of ancient paradoxography (e.g., Kazantzidis 2019; Geus 2018) and ancient collections, collectors, and collecting (e.g., Carpino et al. 2018; Higbie 2017; Thompson 2016; Gahtan and Pegazzano 2015; Rutledge 2012), is the public display of impaired and disabled people. The same applies to extraordinary (in all senses of the word) bodies. Whether those bodies were human, animal, or cryptid, when scholars have acknowledged this phenomenon, the focus has been placed squarely on those individuals responsible for the displaying. For example, the imperial biographer Suetonius uses this as an indicator of virtue or vice in his subjects: Augustus is a good emperor for avoiding bodily display while Tiberius and Domitian are bad emperors for indulging in the pr...

Abstract: “The sort of man you all see me to be”: Visible Disability and Citizenship in Classical Athens

Jasmine Sahu-Hough  PhD candidate, Yale University   “The sort of man you all see me to be”: Visible Disability and Citizenship in Classical Athens   The dokimasia held annually to assess the eligibility of Athenian citizens for the so-called ‘disability pension’ would seem, in many ways, to be a classic example of the public display of disabled bodies. In requiring the recipients of the pension to submit to examination, the ancient Athenian democracy appears to prefigure modern states, which often subject those claiming disability benefits to intrusive surveillance – a process which, as Nancy Hirschmann and Beth Linker (2014) have argued, demotes disabled citizens to the status of “dependents”. Matthew Dillion (2017), however, has demonstrated that the dokimasia was simply a standard feature of democratic fiscal oversight; not only the pension beneficiaries (the adunatoi), but ...